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Exhibit A
 Don't underestimate the frame. Trust me on this. Think about it: You invest in a work of art because you love it, value it, wish to protect it, and enjoy displaying it. Therefore, the frame is ... |
After multiple discussions with Charleston creatives—the most recent of which during last Friday's art walk—I've realized that we all agree on a certain matter: that Nina Liu deserves more... |
My father Les Jacob, was an entrepreneur. He exuded leadership and confidence—on his desk was a sign that read, “NO WHINING.”
Governor Haley’s recent vetoes included one that... |
 This blog is Part Three (and the final installment) in a resource series for the new and seasoned photography collector. Here, I'll offer tips on buying art at commercial retail venues and auctions,... |
 This blog is Part Two in a resource series for the new and seasoned photography collector. Here, I'll offer tips on buying art at commercial retail venues and auctions, as well as archiving and... |
 This blog is Part One in a resource series for the new and seasoned photography collector. Here, I'll offer tips on buying art at commercial retail venues and auctions, as well as archiving and... |
 Kaminer Haislip grew up running around her father's hardware store. She was surrounded by an array of tools and people who used them well. Later, in college, she fell in love with art—particularly... |
 My mother often said the greatest compliment and gift is an invitation into someone’s home. One of my favorite things to do in Charleston is to ride my bike (barefoot) down King then South of... |
Janie Askew’s work is a ballad of vulnerability, fantasy, and eroticism. The titles of her artwork read like a science fiction index: "Blithering Sacks," "Chicken Liver Smear," "Blood... |
Return to the Sea: Saltworks by Motoi Yamamoto
“Memories seem to change and vanish as time goes by; however, what I seek is to capture a frozen moment that cannot be attained through pictures... |
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